Spring Intensive | Organic Acting Techniques

Over the span of 10 weeks, we will cover exercises drawn from far-ranging sources: relaxation, vocal, physical and sensory techniques, emotional connectivity, text analysis, auditioning, monologue and scene study for theatre and film.



Start Dates:  May 4/5

2019 Weekend Acting Classes in downtown Toronto

Los Angeles California Sunset

In Los Angeles | The LA Skins Festival and Netflix, INC Filming Studio

🎥🔥World Premiere | In LA at the La Skins Fest Opening Party. My short film Magic Madeleines is premiering here. This is very cool because the LA Skins Festival is an indigenous festival and the themes of reconciliation and environmental responsibility in the film were embraced. Special thanks to the cast and crew.


🎬🏆I am so delighted to announce that my short film, Magic Madeleines is an official selection at the La Skins Fest. It will be its premiere. Many thanks to the team!



“Life is only interesting when the dust of reality is sprinkled with magic.” – Marcel Proust

In this modern fairy tale, only an old lady and her secret recipe for magic madeleine cookies can save the city’s ravine and its ancient secret from the Big Bad Wolf condo builder and the grifting duo he sends to swindle her.

To fulfill a promise she made to her brother before he died, 80-year old Vivienne Bordeaux (Pam Hyatt) is on a quest to find and preserve the secret of an ancient Indigenous burial site they discovered as children.

When greedy real estate mogul, Simon LeLoup (Richard Zeppieri) sends two grifters (Sera-Lys McArthur and Alex Cruz) to trick Vivienne into selling the land, Vivienne unleashes her secret weapon — magic madeleine cookies that transform those who eat them into their truest selves.

Student Work | Hosanna @ Red Sandcastle Theatre

Three years ago Adam Bonney and Randy E Galsim wanted to work together on a scene for my class. I suggested ‘Hosanna’ by Michel Tremblay. I’m so happy to share the news that they have kept working on the play and are mounting it at the Red Sandcastle Theatre. The play will run from October 17-21.

These days, working in a studio class on the acting process, specific texts and roles, is just the kind of environment that can foster productions. I’m so proud to that this project has evolved from work that originated in my class.



La Femme Collective Interview

Read the original article here.

LFC: Introduce yourself to the LFCommunity by telling us your top 3 favorite movies.

Miriam Laurence: That’s a hard one, as I’ve been watching films for decades! I guess I’d have to choose at least five and say Roman Holiday with Audrey Hepburn and Gregory Peck; The Miracle Worker with Patty Duke and Anne Bancroft; Run Lola Run with Franka Potente and Moritz Bleibtreu; E.T.; Pulp Fiction; The Big Lebowski. Oops. That’s six…But I could go on and on. And then there’s the stellar television series on now – I just watched American Crime Story – wonderful acting, directing and cinematography.

LFC: Tell us about how you got your start as an acting coach.

ML: I was already teaching actors of all ages at various schools in Toronto. My lovely teacher, Samantha Langevin, was leaving and suggested I take over her classes. I don’t know if I was really ready, but I jumped right in. Then a few years later, David Smukler, my amazing voice teacher, suggested I take over a dialect reduction gig on a television movie – and then I got my first coaching job on a series – CBC’s Street Legal.

LFC: You’ve worked with a lot of really amazing actors – was there a moment in which you knew you had helped to create something substantial?

ML: Not really… I always strive to create something substantial with each actor. But in my classes I have a sense about which actors will actually ‘get somewhere’ in the business; Tatiana Maslany comes to mind as someone whom everyone would know.

LFC: What’s one misconception you would want to clear up about what it’s like to be an acting or dialect coach for those who may not know?

ML: It’s a hard on-set gig. You arrive and no one really knows who you are – no one wears name tags on set. It’s sort of like a feudal Japan system – everyone discerns who has power. It’s a very delicate position to be in – knowing when to go in to give a note, when to hold back, etc.

LFC: Who have been your most influential teachers?

ML: I already mentioned David Smukler and Samantha Langvin, but before them definitely Madeleine Sherwood, who, despite our age difference became my life-long friend – and, of course, Lee Strasberg.

LFC: We’ve seen (and are big fans of) a lot of the projects you’ve worked on! What has been one of your favorites so far?

ML: 11/22/63 was definitely the best experience overall! It’s a mini-series based on Stephen King’s novel about the Kennedy assassination. It was produced by J.J. Abrams and James Franco who also starred in it. The actors I was coaching were wonderful and I was really made to feel like part of the team.

LFC: How (whether it be throughout one of your projects/pieces of work, through your character, or anything else) would you like to be remembered?

ML: As a first-class teacher, coach and director!

LFC: The entertainment industry has been under scrutiny for their treatment of women (amongst other things). Do you feel that you’ve had to overcome obstacles that men in the same/similar industries/job roles have not faced?

ML: Definitely. It’s been extremely difficult for me to gain a foothold as a director.

LFC: What skills have been the most beneficial for being successful?

ML: Being present. Breathing and listening.

LFC: What is one thing you’ve learned about yourself throughout your career journey?

ML: I’ve learned to keep a positive attitude and how not to pick up – or to ward off – any negative energy.

LFC: What does being an #entrefemmeur mean to you?

ML: I love the way the La Femme Collective is striving to empower women to go for their careers. I would hope to inspire younger women to go for their dreams in the entertainment ‘industry’ – tell their stories and aim for the top positions!